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About 

HO, CAROL OI YAN  何藹恩

Lives and works in Hong Kong & London, UK

 

Carol Ho’s practice subverts the conventions of figurative painting by interrogating how cultural symbols, aesthetic ideologies, and art-historical canons are absorbed—and distorted—within constructed identity. Drawing on a visual language rooted in kitschy pop subculture and East Asian graphic culture, she creates unsettling portraits that destabilize the boundaries between high art and vernacular imagery, revealing the porous threshold between image, selfhood, and spectatorship.

Her paintings operate as sites where psychological interiority and art-historical reference collide, approaching figuration less as faithful likeness than as a mutable surface onto which cultural memory and desire are projected. Through this lens, the body becomes a screen for competing visual regimes, exposing how identities are assembled from fragments of mass media, subcultural aesthetics, and canonical form.

In her ongoing series Modernism Stuck in My Head (2016–present), this collision is made viscerally literal: figures are impaled by fragmented modernist sculptures, their faces becoming contested sites where art history and personal identity violently intersect. The resulting images inhabit a grotesque, fantastical register that simultaneously celebrates and critiques the authority of modernist form—ultimately asking whether identity itself is merely the sum of the symbols we have consumed, and what it might mean to dislodge those forms from inside one’s head.

 
CURRICULUM VITAE

Education
2001     MA (Fine Art), Printmaking, Royal College of Art, London, UK
1998     BFA, Painting & Printmaking, University of Calgary, Calgary, CA


Selected Group Exhibitions

2025

  • In the Flesh, Anita Chan Lai Ling Gallery, The Fringe, Hong Kong

  • Skin Deep, Mufei Space, The Pottery Workshop, Hong Kong

2021

  • Vacant Premise (with Mark Pearson), London, UK

  • Curious Case (with Celia Ko), Gallery Lara, Tokyo, JP

  • When Parallel Worlds Collide (with Celia Ko), Arthome, Hong Kong, HK
2020
  • Picture Palace, Transition Gallery, London, UK
2019

  • Narration/ Dialogue, The Muse Gallery, Hong Kong, HK
2018
  • Shamal, il Vento Creativo, Ottovarte, Tuscany, IT
  • RCA Secret, Royal College of Art, London, UK & Dubai, AE
2017
  • ACAVA Open Studios, London, UK
  • Reduction to Body, Hong Kong Visual Arts Centre, Hong Kong, HK
2016
  • Funderland: Painting On & On, Chai Wan, Hong Kong, HK
2015
  • Anonymous Drawings, Kunstverein Tiergarten, Berlin, DE; Rome, IT; Braunschweig, DE
2014
  • S’i Fossi Foco, Ex Chiesa San Nicolao, Bellano, IT
2012
  • Imaging Images, Jockey Club Creative Arts Centre (JCCAC), Hong Kong, HK
(A comprehensive exhibition history is available upon request.)


Awards, Residencies & Grants
2019       Visiting Grant, supported by the Hong Kong Arts Development Council (ADC) for the 58th Venice Biennale
2015       Mentor, Julu Culture, Hong Kong, HK
2002      Artist in Residence, London Print Studio, London, UK
2000      Travel Award, Cité internationale des arts, Paris, FR
1999       Visual Arts Study Grant, Alberta Foundation for the Arts, AB, CA
1999       Independence Thought Award, University of Calgary, AB, CA


Press
2017       Tang, Stella Ying Sze. “Carol Ho’s Feministic Paintings.” Ming Pao Monthly, October issue.
2012       Feature, “The Works,” RTHK (Radio Television Hong Kong).
2012       Exhibition Review, Wen Wei Po, Hong Kong Economic Journal, and Arthongkong.net.
2010       Agnew, Mary. “Stretched Connotations", review. Time Out Hong Kong.
2009      Interview, ArtAttack, ChooChooTV.


Curatorial Projects & Professional Appointments
2017         Project Artist, ‘Studio Hopping – Sparkle! Neo Travel’, Oil Street Art Space, Hong Kong
2011–12    Art Writer & Translator, De Sarthe Gallery, Hong Kong
2011         Curator, Imaging Images, JCCAC, Hong Kong
2010        Curator, Back to Drawing, Hong Kong Visual Arts Centre, Hong Kong
2007–12  Lecturer (Drawing & Painting), Hong Kong Arts School
2006       Visiting Lecturer, Hong Kong Art School
2004       Curator, Faith, Transition Gallery, London
2004       Co-Curator, Aftershock, 1A Space, Hong Kong


Collections
  • Royal College of Art Printmaking Archive, London, UK
  • University of Calgary, Calgary, CA
  • Red Deer and District Museum, Red Deer, CA
  • Works held in private collections across Asia, Europe, and North America.

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